Christopher Kane dress. Alexis Bittar brooch. Christina Elleni ring. “The Messy Hair Bun” by Kelvin Heslop. Z Gallerie wall art. Kelly Wearstler sculpture.
Clover Canyon top. Etro pants. AZ Collection cuff. Edie Parker clutch. Kotur clutch. Jonathan Adler handbag. Nila Anthony clutch. Clutch from Pixie Market.
Dolce & Gabbana negligee and coat; Pierre Hardy sandals; Wendy Yue earrings, necklace, bracelet, and rings; vintage brooches; Maison Michel headband; Miu Miu sunglasses; Hermes scarf; Judith Leiber handbag; Lalique turtle figurine.
Last week, I ventured into Chinatown to visit the ready-to-wear showroom of No Such Agency, a boutique PR firm. They, along with a handbag brand and a lingerie brand, occupy the Triple A Loft, a cool, airy space filled with natural light. A zebra greeted me when I stepped out of the elevator, and I wandered past the mod yellow sofa and issues of WWD and Electrify in the lobby to the No Such Agency space, a charming area with a minimalist desk and table, an old-fashioned window, a floor-to-ceiling mirror, and six racks of samples. An intern greeted me and showed me around, telling me all about the collections.
I was immediately drawn to the Daniel.Silverstain rack. “I want to focus on this brand because I would wear every item here,” I stammered. I don’t always say this. Liking every item from a clothing brand is rare, in the way that it’s rare to enjoy every song in a music artist’s repertoire. What was it about these few items, hanging on a single steel rod, spaced a few inches apart? There was the recurrent pairing of black and white. There was the dramatic asymmetry, the kind that makes you feel perpetually a step ahead of the here and now. There was the formality of each piece – being in my early twenties, I often like to dress older so I will be taken more seriously. And even though common prints and materials were used across items, as is typical for a seasonal collection, no two pieces blended together. There was nothing redundant, nothing forgettable. I could envision every item on myself, each one standing out on a crowded block, each one making a distinct impression.
This is the Fall 2016 collection, shown last September as a see-now, buy-now presentation. Titled WHITE.CITY, it was inspired by the effects of the Bauhaus movement on Tel Aviv in the 1950s.
Me in the layered blouse, black pants, and crocodile-embossed shearling coat with separating panel in orchid. Though I prefer warm weather, I have always gravitated toward the grandeur of a long winter coat. All runway photos by Robert Mitra/WWD.
Daniel Silverstain founded his luxury apparel brand in 2013. He takes inspiration from industrialism, modernism, and futurism. “I design to inspire women to be bold, to be courageous, to stand out, and to create a story of their own,” he says. Originally from Israel, Silverstain started his fashion career at the Israeli division of KEDS Kids in 2006, advancing quickly to Design Director. In 2009, he moved to New York to pursue a BFA in Fashion/Apparel Design at FIT. While in school, he interned at Marie Claire for a semester (see, even acclaimed designers pay their dues) and worked as an assistant designer at 3.1 Phillip Lim and a designer at Muuse and Elie Tahari.
He launched Daniel.Silverstain soon after graduating. Last year, he co-founded Flying Solo, a designer-owned retail incubator in Little Italy. Flying Solo provides a platform for startup brands to enter the brick-and-mortar market without selling to a retailer, which requires accommodating a retail markup and often supplying high minimum orders, or maintaining their own boutique, especially in New York where rents are high. Flying Solo is owned and operated by twenty-eight fashion brands.
Janelle Monáe, my favorite actress now that she’s an actress, in a Daniel.Silverstain coat for Cosmopolitan. Photo by Max Abadian.
I recognized KUT from the Kloth from Nordstrom, where I sold their jeans in the Point of View department alongside brands like Caslon and NYDJ. I really enjoyed seeing the brand on its own, in its complete form. I always knew they had great-fitting jeans, but I didn’t know they also had dresses, tops, jackets, and pants! I loved the profusion of florals, the pinstripes, the sweeping bell sleeves, and the whimsical paper bag waist on a pair of dress pants.
The effervescent bell sleeve of a pink blouse.
KUT from the Kloth is based in Los Angeles. Their core focus is “to offer women of all shapes and sizes the perfect-fitting jean”. They started with the denim concept in 1977, but expanded to add sportswear in 2006. The company has a strong commitment to workers’ rights, requiring that all of their suppliers and vendors adhere to their Code of Ethics policy. They make sure to work only with factories that do not employ workers younger than 15, pay a fair wage, properly dispose of all hazardous materials, and have an environmental management system in place that includes disaster and emergency preparedness. After the Rana Plaza collapse, this is welcome to hear.
The Ruthy dress and Rosie skirt.
You can find KUT from the Kloth on their website, Nordstrom, Dillard’s, Macy’s, Bloomingdale’s, Century 21, Zappos, Bluefly, and many boutiques nationwide. As a resident of Bushwick who likes to shop at little shops, my source of choice is Néda in Park Slope.
No Such Agency’s fashion showroom makes appointments for editors, stylists, celebrities, bloggers, and “micro-influencers” to select samples to borrow for photo shoots and events. The biggest appointment witnessed by the girl I talked to was from Vogue, to select pieces for a Karlie Kloss spread shot in Australia. Karlie Kloss has been my favorite model since this article in 2007, so I was pretty excited. No Such Agency keeps six brands at a time. The founders, “This British power couple”, consistently choose independent ready-to-wear brands “with a cool vibe”. They also have a showroom in Los Angeles.
Besides fashion, No Such Agency represents clients in the media, music, art, and lifestyle industries; in other words, everything creative and glamorous. The founders, Dan and Helena Barton, came from marketing at Diesel. Dan has worked at Maison Margiela and DSquared². Helena has worked at Rag & Bone and All Saints. On the music side, she has worked for James Brown, The Strokes, Kings of Leon, and Franz Ferdinand.
The Macy’s flagship in Herald Square is an iconic landmark for Manhattan and the fashion industry alike, going strong since 1901. Whether for work trips or pure shopping, I love visiting the store; large department stores mesmerize me because they are like worlds unto themselves. Every spring this flagship has a beautiful tradition — the Macy’s Flower Show! I went in after my internship to see the gorgeous exhibit, themed America the Beautiful, and dressed in head-to-toe flowers for the occasion.
A living, photosynthesizing American Flag
And blue, with dainty butterflies for stars
Exhibit creator Jessy Wolvek of Fleurs NYC
The Pacific Northwest Wonderland. Being from California, I approve of the description. The Golden Gate Bridge was most scenic from the middle of the escalator!
The Vast Southwest, replete with tall cacti and rust-colored flowers
The Majestic Rockies. It was a nice surprise to see flowers suspended from the ceiling!
The Midwest Fruited Plains, with sunny flowers, rolling hills, and a windmill
Tiny lilac and pink flowers gathered together beside the escalators to escort customers to the second floor
Do Not Touch! Sharp and striking cacti keep company with a majestic agave.
An American Flag close-up in a frame, made entirely of flowers
Macy’s has a well-earned reputation for window displays, and they went all out for the flower show.
Northeast Sound, with a lush floral lighthouse and sailboats riding the petaled waves
The Golden Gate Bridge and a forest of giant redwoods
The Southwestern window, with towering red rocks, cacti, succulents, and a cow skull
A gated garden with an angelic fountain
Flower-bearing doggies in the window