My Trip to Tommy Pier

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Two days after the Tommy Hilfiger Fashion Week show, Tommy Pier was open to the public. Located at the South Street Seaport in downtown Manhattan, Tommy Pier was a carnival first and a pop-up shop second. Upon stepping onto the dock and squinting in the bright sunlight, it actually took awhile to find the clothes. But you knew they were there. Having to look for them made it more exciting.

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As a neighborhood carnival, Tommy Pier matched its peers in every way. There were rides, there were games, there were fries, there were donuts, there were temporary tattoos, there were photo booths, and there were long lines of people twisting and overlapping in every direction.

Rides: the Tornado, a Ferris wheel, and another spinning ride (not pictured). 

Gigi’s Boxing Club, est. 2016. 

What are carnivals without prizes?; I think I found Nemo…and his extended family.

The quintessential yummy, unhealthy food. 

A temporary tattoo parlor; the line for the nail salon.

The atmosphere was excited and a little surprised. “Do we have to pay to get in?” I heard one girl say. No, we did not. People slowly approached the games and food stands, as if they wanted to first make sure it was okay. After all, it’s rare to see a premium brand present itself in such an irreverent and accessible way. Yet once a few people stepped up to the booths, everyone else followed.

More food! Including lobster rolls, one of my favorites.

Nails by Valley and Hilfiger Records.

I found a little wooden house midway down the pier with a Tommy x Gigi sign and a rope chandelier. Inside the collection was neatly displayed, apparel on hanging rods and accessories, underwear, and perfume on shelves. The cash register was in the center so shoppers could walk in a full circle. This was useful because the little shop was packed. Tommy Pier opened at noon that day, I arrived at around 1:00, and already the displays were sparse. There were three sales associates wearing matching navy blue Tommy Pier t-shirts. Though there was little room to walk, the customers treated the merchandise with more respect than you would see at a typical crowded retail store. Customers picked their things up. Customers re-folded. Customers hung their hangers back on the racks. (I worked in clothing retail for five years. I notice these things.)

Inside the pop-up shop.

A band jacket and sailor’s cap from the collection. 

In addition to this shop, there was an identical little shop on the other side of the pier, as well as a Tommy Vintage Shop. This shop was smaller than the others and offered sweatshirts, jerseys, and other sporty logo apparel.

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At the far right corner of the pier was a little nook with three wooden benches painted like the American flag. People took selfies and pictures of their friends, asked strangers to take their picture, or simply sat down to rest in the heat, which had to be over 90 degrees. It was also the perfect place to look out at the other piers, the East River, Brooklyn Heights and Cobble Hill, the helicopters in the sky, and the commanding buildings of the Financial District.

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Taking a break from the mayhem. Vintage star and moon earrings from Bloom Marin. Heart pendant from my mother. Chain from AJ’s Jewelry in Ridgewood.

My sweet little purse on the American flag bench. If you look closely, it has anchors on the buttons. Vintage purse and Eton ring watch from Bloom Marin.

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The boating lifestyle that inspires the Tommy Hilfiger brand.

At one point a large commercial boat called the Zephyr docked at the pier, its passengers disembarked, and the crowd briefly doubled in size. A little “fashion week” isn’t about to disrupt business as usual!

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In front of an artifact of Pier 16 itself. Forever 21 peplum top. Tyte jeans. Foster Grant sunglasses. 

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Paloma shoes with what could very well be life preservers.

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A statue on a cobblestone street in the Seaport district. 

To give some context, here are the best looks from the actual fashion show:

(Antonio de Moraes Barros Filho/FilmMagic)

(Antonio de Moraes Barros Filho/FilmMagic)

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Anna Wintour attends the seaport extravaganza. (Getty Images)

Doutzen Kroes, Martha Hunt, and Taylor Swift check out the carnival. (Getty Images)

It was fun, and I was really happy I went. It felt good to see so many people enjoy the new Tommy Hilfiger collection. Premium, contemporary, and luxury brands worry about “overexposure”, when their brand is worn by so many people that it isn’t special anymore. This does happen. This happens with discounts and outlet stores, and certainly with counterfeit merchandise. But I don’t think this will happen with public events like Tommy Pier. A brand can always decide its exclusivity with its price points. If anything, I think wider awareness of a brand by all people will confer even more recognition and prestige to those who buy and wear the clothes.

I think it’s important for the fashion industry to cater to consumers and stage fun events like this. There is a misconception out there that clothing, shoes, handbags, jewelry, and accessories are just “things”. The term “experience economy” has been used to describe the shift of consumer spending to experiences over things. Yet spectacles like Tommy Pier prove that not every consumer good falls neatly into one side of the binary. Fashion has always been about more than just things; it is beautiful images, it is icons, it is the spirit of a brand, it is the excitement of shopping, and it determines much of the way we present ourselves when we embark on any other kind of experience. Tommy Pier presents the possibility of finding new fashion, knowing its back story, and living in it — not just putting it in your closet.

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As seen from above! (blog.thestorefront.com) 

At Fashion Week, Hillary Clinton Was the Clear Winner

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Ballet dancers in Diane von Furstenberg. (Corey Tenold/Vogue)

With Election Day looming, Fashion Week was bound to get political. Thanks to Conde Nast art director and staunch Democrat Anna Wintour, the fashion world rallied around Hillary Clinton and only Hillary Clinton.

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Anna Wintour and HIllary Clinton. (Dimitrios Kambouris/Getty Images)

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Anna Wintour addresses the group in Jason Wu. (Lucas Jackson/Reuters)

Cohosting with Chelsea Clinton and Huma Abedin, Wintour kicked off NYFW with a fundraiser for the candidate,enlisting fifteen designers to present runway looks in the “Made for History” collection. These were not your ordinary campaign t-shirts — they were the kind of clothes one might want to wear out and about even when the election has long passed.

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Designer Prabal Gurung and three models wear red, white, and blue with matching balloons. (Corey Tenold/Vogue)

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Diane von Furstenberg walks the runway beside two dancers wearing her designs. (Aurora Rose/REX/Shutterstock)

Red, white, and blue reached new frontiers with kilts, abstract prints, cursive scrawl, berets, dressy denim, tie-dye, paisley, ditzy florals, piled-on layering, and even a sequinned evening skirt.

Marc Jacobs (fashionbombdaily.com). Altuzarra (Corey Tenold/Vogue)

Thakoon and Monique Pean. (Corey Tenold/Vogue)

Not that the flag colors were a requirement. Marchesa honored Clinton with sweeping ball gowns and elbow-length gloves.

Marchesa’s feminine grandeur. (Corey Tenold/Vogue; Amber Jamieson/The Guardian)

Demi Lovato strutted down the runway singing her hit “Confident” like a battle cry.

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What’s wrong with being confident? (celebzz.com)

While the runway looks varied greatly from one another, the models did even more. Besides professional models, there were dancers, basketball players, a marching band, and even some children with their parents in tow. The audience was diverse as well, filled with everyday supporters who were neither famous nor employed by the fashion industry. It was truly a fashion show by the people, for the people.

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Basketball players in “Make Herstory” shirts by Public School. (Corey Tenold/Vogue)

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Ballet dancers in Jason Wu. (Dimitrios Kambouris/Getty Images)